Some of both are included in her memoir, hidden like buried jewels between long stretches of prose that recount a thrilling and lucky life. Long live Muammar.’Īddario makes good pictures most of the time occasionally, she pulls off a perfect one. While in captivity, a Libyan soldier held a cellphone to Addario’s ear so his wife could insult her: ‘You are a dog. I learned how difficult it is to put all the elements in place.” Sometimes the light is perfect, but the subject is uncomfortable, and his awkwardness shows. “Sometimes the light is there, but the subject is in the wrong place, and the composition doesn’t work. “A perfect photograph is almost impossible a good one is hard enough,” Addario writes trenchantly in her engaging memoir, It’s What I Do. As I stared at it, I felt some of the excitement I imagined Addario might have felt at capturing that moment, that light, in just the right place, with the right girl in the right-colored headscarf. The baby is little more than a suggestion in the dusky room, but from somewhere outside the frame a ray of white sunlight falls directly on the girl’s face, brightening her exposed forehead and the green headscarf covering her nose and mouth and giving the image the chiaroscuro quality of a Caravaggio. The caption said she was a 16-year-old who had left an abusive marriage to return to her family, but it wasn’t her dramatic story that caught my attention. It depicted a girl in an emerald headscarf sitting in a dim room with a baby on her lap. I watched the images unfurl: a striking silhouette of a pregnant 17-year-old refugee standing next to an unmade bed in a darkened room a group of mostly married girls in head-scarves, looking like giggling teenagers at the mall a sly and intriguing photo of pregnant and lactating women at a refugee camp, shot through a screen. (Lynsey Addario)Ī few months ago, trolling through The New York Times website, I came across a slideshow on Syrian child brides in Jordan by the gifted photographer Lynsey Addario. Uprooted A 21-year-old refugee from the Syrian civil war outside the cave she and her family were living in after fleeing to Lebanon in January 2013.
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